Right on top of the base encasement layer, this second layer serves as the ultimate protection and armour for Alexandra. It ensures she will never get hurt by any falls, collisions, or other forceful interactions, once she has completed her transformation into a Bane. This armour layer consists of an all-encompassing mesh of miniature carbon-Kevlar pieces, each on the nano-scale, that are applied over the entire body. These interlinking pieces ensure Alexandra is perfectly protected and sealed off, without actually hindering any of her movement or flexibility, due to the miniature size.
The flexible mesh of armour also behaves like a Faraday cage, sealing off Alexandra from any electrical disturbances, while still allowing all the sensors within the orbs of her eye sockets to fully work. Furthermore, the maintenance port between her legs is the only part that actually passes the Faraday cage, so that Lumina still has wireless access to the entire system. This isolation makes the connection port between Alexandra’s legs truly the single point of contact with the outside world, including Lumina herself.
Especially Alexandra’s hands, breasts, and hips are covered in a huge number of specifically designed miniscule pieces. That is done, so that Alexandra looses not the slightest flexibility of her hands, and that her breasts remain as squishy and natural as possible.
Part of this armour are also the Corset Piece, Head Enclosure, and feet. The feet come in two solid halves, completely encasing Alexandra’s feet and shins, up to below her knees. This results even more in the appearance of her legs being just long black rods. They support her extreme en-pointe feet, while further fixating her toes straight downwards, forcing her to walk on just the tiniest tips of both her big toes, essentially leaving just about two square centimetres left of contact with the floor. The pieces are very detailed replications of Alexandra’s real feet, with still detailing the individual and bone structure beneath, as if her feet had just been dipped into black latex. Alexandra is now basically forced to walk on just needle tips, making her appear as if she’s floating around, with how little contact she actually has with the floor.
The section covering her genitals, and the genital cover, is made with the same material as the one covering her nipples. This allows for her genitals to appear completely smooth once she’s encased, but easily let the detailed contours of the fake ones from the genital cover reappear through the latex if done by Lumina.
The entire armour helps Alexandra keep up her perfectly straight posture. Furthermore, the armour is almost necessary, as it tremendously helps Alexandra with carrying her weight and balancing, and especially helps her carry her weight on her permanently en-pointe positioned feet.
To bind all these armour pieces together, and create another completely smooth layer of latex, a black latex-glue solution is applied over Alexandra’s body and armour. It covers her entire body again, hiding away any edges and protrusions by the armour, resulting in every part of her body appearing in completely smooth latex.