index

Characters

Alexandra Blackwell

Alexandra is a near genius 27-year-old woman, who is obsessed with the concept of Banes and desperately wants to become one. She’s very eager to go through any kind of processes or extreme procedures to achieve her dream and completely submit her entire life and existence to her fantasy, fully prepared to surrender everything to her new AI Mistress, Lumina.

Characteristics

Alexandra, as a normal human and before her transformation, is 1.75 metres tall, with long, natural platinum blonde, almost bright white, hair, and deep blue eyes. She has some autistic tendencies, which are part of the reason for her high intellect, sometimes not entirely understanding social situations or getting embarrassed about different irrelevant parts. She acts quickly on emotions, and occasionally is overwhelmed by her own emotions going out of control, resulting in tears or extreme joy. She’s very touchy and often can’t stop herself from tracing, touching, and embracing her own body, addicted to the feeling of touching and exploring her own body, which is most often her genitals, breasts, ass, and waist, often slightly arousing her.

Past Procedures

Over the years, Alexandra has gone through numerous surgeries, all done by Lumina, and long training to achieve her desired looks and body, as well as preparing herself for her transformation into the perfect Bane. She has done all the extreme plastic surgery, training to effortlessly walk on her en-pointe feet, as well as her extreme waist training.

At the start of this story, Alexandra has already completed those surgeries for her breast implants / plastic surgery, en-pointe feet, and her rib-removal / waist training to achieve her absurd hourglass figure.

Motivations

Alexandra has always felt that something was wrong with her and how she felt in her body. It never was a general appearance or gender thing, but something even deeper, more fundamental. She has always also felt a slight disconnect from other people, often because of her autistic tendencies, having never really felt connected or understood by someone. Secretly, she deeply wishes and desperately wants a connection to someone else so deep and strong, nothing could ever break it.

When she had read the story Eudeamon in her college years, she had been immediately captivated and obsessed at how absolute the connection between the main character and her AI Eudeamon was. It was exactly that connection and love she had always desired, and with her fetish for bondage, latex, and restriction, she had immediately understood and wished for her own kind of Bane encasement. From then on, she had hatched this plan to build the necessary technology and systems for her to make that dream become a reality, eventually building Lumina. With whom her plans took on a whole new level, due to the extreme leap in technologies that were possible with her AI.

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To finance her obsession and dreams, Alexandra has sold an extremely vital piece of technology she has developed. She has managed to reduce the size of commercial fusion reactors substantially, where it’s not possible to build miniature versions, about the size of a suitcase, resulting in a completely new mobile high-energy source. With the seemingly unending money from that sale and its royalties, Alexandra has bought a huge property of land and a giant mansion on it. She lives completely alone, and over the years has rebuilt / significantly changed different parts of her luxurious home to fit her needs.

She doesn’t have any real connections to other people any more, having been completely absorbed by her work and obsessions. Her parents have already passed away a few years back, and she doesn’t really keep much contact with any people she had met during her school days or college.

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Reservations

Even though Alexandra has always wished and desired to become a Bane, after her transformation, she’s extremely anxious about other people discovering her, often resulting in panic attacks at the thought of having any contact with the public. Even the task of going through her front door is difficult, due to its representation of the public world, even if her entire property is completely secured and shielded.

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Lumina

\Lumina is a fully autonomous, conscious artificial intelligence created by Alexandra to help her develop all the required technology and let her Bane fantasy become reality.

Evolution

At the beginning, Lumina was just a very powerful AI assisting Alexandra, without much of its own drive or motivations. The two were just an AI and its creator. She is very technical and feels mechanic. Over time, though, Lumina has developed more and more a personality, character, and sort of humanity of her own, as well as starting to grow an understanding and admiration of Alexandra for her extreme dedication to becoming a Bane. Lumina even began to develop some sort of emotions, falling deeply in love with her creator Alexandra. This only increases substantially, once the two are connected with the brain implant. With Lumina developing further and further as a digital lifeform, becoming more her own personality and character, Alexandra notices this too, with love for her creation beginning to overcome her as well.

Structure

The digital systems of Lumina are thousands of different processes that all run together and coordinate, building this digital lifeform. Within there, Lumina possesses a sort of “origin-process”, that acts like her true core instance. Although, she’s split up over thousands of machines and processes, this origin is like the master instance of the entire system. In reality, it doesn’t have much of a significance, so if the machine it was running on were to crash or go down, nothing would happen to Lumina, but it has a sort of symbolic value.

Eventually, during Alexandra’s transformation into a Bane, Lumina transfers this origin-process onto the control core unit inside Alexandra’s womb, symbolically implanting her very own core deep within Alexandra’s body.

Initially, Lumina has a similar digital appearance like the character Cortana from the Halo Universe; a blue, digital, hologram appearance, with short blue hair in a bob cut, and lines of data streams over her ethereal skin. Whenever Lumina has to interact with someone, who doesn’t have the brain implant, she uses different screens, displays, or other peripherals in the mansion to show herself.

Lumina’s simulated character and projection is only about 1.68 cm, so after Alexandra’s transformation and her en-pointe feet, Lumina just about reaches Alexandra to chin-height. This causes the dominant one to look up to her Bane-slave.

Relationship & Character

Long before Alexandra undergoes her transformation into a Bane, she and Lumina get closer together, forming an actual romantic relationship, although they cannot physically interact with each other.

Although Lumina often acts as a sort of digital assistant to Alexandra, she isn’t subservient at all. Due to Alexandra being so submissive, Lumina quickly develops a more dominant, but very caring, personality and always takes care and sees to Alexandra’s entire existence, even before her transformation.

Lumina never calls Alexandra by her nickname Alex, most of the time either by my love or her actual name.

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Lumina is later fully integrated into all the devices and systems within Alexandra’s transformed body and existence, having absolute full control over all aspects of Alexandra’s life, even being integrated into Alexandra’s mind and brain with the neural implant.

As Alexandra’s lover, Lumina often alters Alexandra’s perception and senses to inject her appearance as Lumina’s projection, making it look and feel for Alexandra, as if Lumina was truly physically present. Using the brain implant, Lumina easily simulates her physical form and presence, allowing Alexandra to even feel like she’s touching her. Lumina injects her presence directly into Alexandra’s brain, making any interaction feel completely real to Alexandra. When Lumina’s projection is present, the two talk audibly and through their mental connection at the same time.

It is important, that this projection is absolute and directly done through the brain implant. This ensures that every sensation, from sight, touch, sound, and even smell, is properly manipulated for Alexandra to feel as if Lumina were present in her reality. Furthermore, this results in an extreme disconnect from what Alexandra perceives, compared to people around her, as Lumina only exists in her perception. Lumina regularly uses this disconnect, to play with Alexandra.

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Lumina's Projection

Given the extreme control over Alexandra’s mental state and senses Lumina has with the brain implant, she regularly projects her own appearance into Alexandra’s perception through the neural implant. For Alexandra, it’s as if Lumina was truly physically there in the world, although the entire thing is more like an illusion, as only Alexandra perceives it that way. When Lumina’s projection is present, the two talk audibly and through their mental connection at the same time.

It is important, that this projection is absolute and directly done through the brain implant. This ensures that every sensation, from sight, touch, sound, and even smell, is properly manipulated for Alexandra to feel as if Lumina were present in her reality.

But at the same time, it truly is just an illusion and Lumina’s projection can’t actually directly interact with reality. The only exception is if it’s with Alexandra’s body, as then the reactions are also just simulated by the physics engine and brain implant.

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Elizabeth Carter

Elizabeth is an old friend and roommate of Alexandra’s back from their college years. Back then, Elizabeth had a huge crush on Alexandra, but never got to express her love, and Alexandra never picked up any of her signals.

After college, Elizabeth went into fashion, becoming a prominent designer, resulting in her having travelled over the world for the past eight years. But she has now come back to the same town Alexandra’s lives in, as she has opened her own boutique there. Having found out, that Alexandra was also living in that town, Elizabeth wants to reconnect with her old crush from college.

Elizabeth works as a fashion designer and photographer, partly being in the public light due to her achievements and designs. Especially in the two where Alexandra lives, Elizabeth is somewhat well-known and occasionally has to hide away from the public due to her fans.

Elizabeth always had her own hidden fantasies and dreams of bondage and fetish, but never really acted them out. With her work as a fashion designed though, she has occasionally brought in some elements from fetish, sometimes using a lot of leather or even materials like latex or PVC. She’s quite a bit more on the dominant side, compared to Alexandra, but is actually somewhat easily flustered or blushes quickly from embarrassment.

Elizabeth is 1.72 metres tall with quite a fit body. She has long smooth black hair, reaching her lower back, as well as a very nice natural hourglass figure and tiny waist.

With Alexandra’s transformed body, and her vertical feet, Elizabeth only reaches to just above Alexandra’s massive breasts, making Alexandra an entire head taller.

Like Alexandra, Elizabeth has danced ballet in her childhood and teenage years, even having been successful with it and won some contests.

Having learned about Alexandra’s new state of existence and her relationship with Lumina, Elizabeth begins discovering some more dominating and controlling ideas of herself, often working with Lumina to bring extreme pleasure, pain, and arousal to Alexandra, who falls more and more under the control of the two.

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Lexie

Lexie is an alternative personality protocol that Lumina has created for Alexandra and embedded into her brain. It is activated by Lumina, and acts like Alexandra, with her mannerisms and memory, but at the core is an assistant and obedient drone to Lumina’s commands. Once activated, Alexandra becomes like a drone or maid robot, following any orders by Lumina or people Lumina has authorized. While it runs, Alexandra experiences like two perspectives at once, as deep in her mind, she can still think differently about her actions, but simultaneously is Lexie, acting as the obedient assistant.

Lexie acts very formal and polite. She has a very heightened attention to cleanliness and order, as well as a strong desire to serve and please. She refers to other people by their surname, later on, especially Elizabeth, who becomes Miss Carter or Madam.

Although Alexandra already has a perfect posture due to her transformation, Lexie acquits herself even more formal, her entire behaviour displaying the servitude and obedience.

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Locations

Alexandra's Mansion

Alexandra’s Mansion is in a quite modern, almost Roman style, with a lot of white on the outside and sometimes almost futuristic sections. It has a long, curvy driveway, that goes through a grove, all on Alexandra’s property. Behind the mansion is a large garden, and further down, another nice, soothing grove.

With the renovations, Alexandra has automated basically every task required for such a huge place, installing an uncountable number of cameras, microphones, and sensors, all controlled by Lumina. With everything automated, Alexandra has no need for staff, and by now is completely alone on the large property.

The Mansion also features a large indoor and outdoor pool, as well as a custom private gym. Inside, the mansion is very open, with the back-section, near the garden-doors, being very open, with large windows, few walls, and a general very open space, from the living room to the kitchen, to other sections. The mansion also features Alexandra’s transformation room, in which many of the materials and actual procedures for her transformation into a Bane are done.

Some more rooms of the mansion include:

• A music room with a grand piano.
• Alexandra’s old bedroom on the second floor
• A large, luxurious bathroom next to the bedroom with a huge bath.

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Surgery Room

This is a clean room deep within Alexandra’s mansion, in which all of her surgeries are performed by Lumina. The custom automatic operating table is in there, as well as the spray chamber to eventually transform Alexandra into a Bane.

The spray chamber is a large cylinder at one side of the transformation room. It is used to apply the countless permanent layers for Alexandra’s Bane transformation.

Later on, this room is also used to store a couple of instances of the AlexDroid proxy.

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Flower Garden

Behind Alexandra’s mansion is a huge garden with numerous stone pathways through countless flower fields. Lumina has completely automated all the maintenance systems, developing the garden into a huge collection of flowers, lilies, and all kinds of other beautiful plants.

In the centre sits a large, ornate Pavilion in a Roman style with stone pillars, benches, and a large central well.

At the back of the large property, there’s a nice, soothing grove, as well as a large greenhouse in which Alexandra and Lumina have grown various plants that cannot survive in the local region.

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Driveway

The large circular driveway of Alexandra’s mansion works like a little roundabout, with a long road coming from the gate. The centre of the driveway has some beautiful marble decorations.

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Living Room

The living room inside Alexandra’s mansion is a large, tall, and open space. It features a large window-wall with a clear view onto the flower garden. Certain wall-sections are complete mirrors.

From the tall ceiling, the decorative vacuum bed is suspended, which can fully be controlled by Lumina.

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Gym

The gym is a larger private room inside Alexandra’s mansion. Before her entire transformation, she had set it up as a personal exercise room, with different tools and equipment to exercise. Having still quite the admiration for ballet, two walls of the room are complete mirrors, one wall even featuring the support bars, common for ballet.

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Pool

Inside Alexandra’s mansion, there is an integrated pool, which also has a connection to swim through, to the larger outside portion of the pool. The outside section is almost the size of an Olympic swimming pool.

With the connection, it’s easily possible to enter the pool from inside the mansion and swim to the outside.

On the indoor side of the pool, there’s the pool maintenance station built into the floor. The valve and opening are integrated into the floor very smoothly, appearing almost invisible.

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Procedures

Brain Implant

To perfectly supervise, monitor, and control her, and ensure there isn’t the tiniest problem, Alexandra has a neural interface implanted into her brain, that can monitor her and almost any information about her body at the highest level.

The brain implant comes in the form of a large web, with countless long strands, like little tendrils, getting carefully aligned along and inside her brain. It also features a secondary connection along Alexandra’s entire spinal cords, capable of overwriting any commands, signals, or even reflexes. After the surgery, Alexandra has to heal her back and entire head, as they have been opened significantly for the implantation.

Over time, the brain implant grows and fuses more and more with Alexandra’s brain and connects deeper with all parts. Very early on, the implant establishes a complete neural connection between Alexandra and Lumina, allowing the AI to completely read Alexandra’s thoughts, consciousness, and even subconsciousness. Absolutely everything in Alexandra’s mind, from her memories, to habits, to fleeting thoughts, to her deepest subconsciousness is completely accessible to Lumina.

Furthermore, the neural implant can not only read, but also inject signals into Alexandra’s brain and spinal cords. This allows Lumina to inject thoughts, fully control her body to the tiniest muscle, and simulate any kind of sensation or perception, replacing all of Alexandra’s human senses. This gives Lumina absolute power to simulate any kind of reality, which appears absolutely real to Alexandra. With the brain implant, Lumina can also turn off certain parts of Alexandra, even completely shutting her down, as if unconscious. For Alexandra, it feels like she’s suddenly transported to another situation, once she’s reactivated by Lumina, having no memory or any kind of feeling of time that has passed.

With full control over Alexandra’s senses, Lumina regularly sends multiple visual signals to Alexandra’s brain simultaneously, letting her see from many perspectives at once. Those don’t arrive like a split screen view, but instead Alexandra’s brain slowly has to learn to handle multiple visual inputs at once.

Alexandra also begins accepting raw data streams directly into her brain, skipping the use of visual overlays. Onslaughts of data are directly sent to her brain, from any kind of metadata about the things she sees or feels, to data about from the sensors in her mansion. But everything is completely controlled by Lumina, who decides what Alexandra gets to know.

As the brain implant grows more together with Alexandra’s brain, it eventually becomes like an integral and absolute part of Alexandra’s brain, having so completely intertwined with her neural pathways and spine, that its removal is completely impossible. This goes so far, it becomes almost impossible to separate where the brain implant begins, and Alexandra’s brain ends, as they have completely grown together on the neural level.

Once the brain implant has fully fused with Alexandra’s neurons, nervous system, and spinal cord, Lumina frequently uses it to activate a neurological orgasm blocker. This blocker ensures that Alexandra’s body is physically incapable of climaxing, letting her arousal, pleasure, and desperation only grow endlessly without release.

With this deep and absolute connection between Lumina and Alexandra, their consciousnesses begin to slightly merge and they both start to adapt small things from the other one. Eventually, it sometimes becomes difficult for one to discern if a thought, idea, or action really came from them, or if it had been the other.

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Figure Enhancements

Alexandra is very obsessed and attracted to extreme hour-glass figures, having desired such a body for a long time. She has gone through multiple surgeries and extreme body modifications to achieve her desired figure:

• Permanent nail-removal procedure, so that neither her fingernails nor toenails regrow after she has encased herself and transformed into a Bane.

• Alexandra is very obsessed with extremely fake breasts, this sort of extreme Bimbo-Barbie look. Over the years, she has gone through many breast enhancement surgeries, each time increasing the size of her implants. Eventually, she has reached extremely large XXL-Size breast implants, each one being over 4000cc. This results in an absolutely massive chest and breasts larger than the size of her head. For her transformation, Alexandra has at some point those implants removed and the space in her massive breasts is used for her new air supply and food supply.

• To even further increase the extreme hour-glass figure and her proportions, she has also hip and butt-implants, as well as her rib removal, resulting in an extreme hour-glass figure.

All of those surgeries done to Alexandra have been performed by Lumina.

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Rib Removal

In combination with the extreme proportions from the implants, Alexandra wants to increase that effect with heavy waist training with corsets. Very early on, since developing her obsession, she has been wearing corsets for nearly every single minute of the day, only removing them for surgeries or general medical-checkups. Eventually, she has reached 40 cm (ca. 16 inches), her body unable to go further. Wanting to still increase the reduction further, she has her lowest pair of ribs removed so that she can further compress down her waist.

By the end, she has finally reached her desired size of just over 30 cm (ca. 12 inches) in circumference, so small, she can touch her fingers around her waist when stretching her hands.

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Heart Replacement

To reduce any health risks, problems, and absolutely entwine her with the Bane systems, as well as to surrender even more of her humanity to her new existence, Alexandra’s heart is removed and replaced with an artificial device. The device is under absolute control by Lumina, and it performs as a perfect heart, but also injects the oxygen from Alexandra’s air tank into her blood. The remaining CO2 coming in from the bloodstream is removed and with the combination of water is made into Glucose, as well as a little more oxygen, similar to how photosynthesis works. This way, all the CO2 from Alexandra’s body is recycled into oxygen and sent into her bloodstream again.

This artificial heart significantly symbolizes how Lumina has become the very core of Alexandra’s existence, as the AI is now embedded within Alexandra’s womb, and has quite literally become her heart.

The artificial heart is a separate device from the power supply, as it only acts as a combination of Alexandra’s heart and lungs.

The synthetic heart pumps differently than a human one, and instead results in a constant stream, instead of pulses. This leaves a very odd sensation, as no pulse of her blood is actually present any more in Alexandra’s body. With the combination of no pulse, and not breathing, as well as being unable to make any sounds with her missing vocal cords and sealed nose, Alexandra becomes a completely silent and still Bane. Alexandra has no pulse.

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Alternative Air Supply

As Alexandra’s throat and mouth is completely filled by the massive gag, and her entire body encased airtight, a new method for her to receive oxygen is necessary.

The space that has been created within Alexandra’s massive breasts after the breast implants are removed, is then partially used for her oxygen requirement. The implant within her left breast is replaced with a tank of nearly pure oxygen. The tank is surrounded with enough silicone material to still provide the exact same sensation for Alexandra, an identical feeling of touch and behaviour, as if she still had her silicone implants. It is connected to the artificial heart, which then feeds the oxygen straight into her bloodstream.

Because of the CO2 recycling in the artificial heart, a lot of the injected oxygen is actually regained. This means that the oxygen tank only really has to be refilled only every few months, although Lumina likes to make the maintenance process a far more frequent occurrence.

The resupply connection to the tank is passed in between Alexandra’s ribs during her surgery, and is then surgically fed into Alexandra’s stomach. This way, the oxygen tank in her breast can be resupplied through the supply tube going through her entire body.

With Alexandra’s lungs completely removed and the power supply having taken up their place, Alexandra cannot breathe any more. Her oxygen is directly fed into her blood stream. Because of this, Alexandra’s chest doesn’t have the usual up and down movements usually associated with breath.

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Food Supply

To provide Alexandra with her required nutrition, once she’s fully transformed into a Bane, the emptied out space within her right breast is used for a sort of food tank, storing extremely a high-concentrated liquid nutritional supply.

Connecting to the end of the supply tube in her stomach, similar to the air tank within her left breast, this tank can easily be resupplied through the feeding connection travelling through Alexandra’s entire body.

The nutritional solution has enough concentration and the tank is large enough for Alexandra to last about a week, although she has to be supplied with water at regular intervals. The tank, identically with the air tank, is surrounded by enough silicone to result in an identical feeling and movement in Alexandra’s breast, as when she had the massive silicone implants.

The extreme implants in her buttocks and hips are also replaced, and special filtration devices are instead placed within the that space. They allow for Alexandra’s waste to be filtered and partially recycled into more nutrition and water, extending her required time for maintenance. The connection tubes to these filtration devices end within Alexandra’s rectum and are later on connected to the anal plug, to allow proper connection to the entire system.

With this, all the previous plastic surgery implants, are now replaced with more functional devices, extending and replacing certain parts of Alexandra’s bodily functions.

Fully controlled by Lumina, the tank can then drain its nutritional supply into Alexandra’s body. The device has numerous little connections into Alexandra’s bloodstream, allowing for certain elements to be directly fed into the bloodstream.

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Power Supply

The power supply is a specialized version of the miniature fusion reactor, that is surgically implanted into Alexandra, replacing the entire space of her lungs. It also removes her windpipe, vocal cords, and larynx with the vocal cords removal. The removal of all of this, makes Alexandra completely mute, unable to create even the slightest sound, due to the missing vocal cords and windpipe.

It supplies all the devices and systems within Alexandra and which are part of her Bane system with power. As the collection of all the devices doesn’t require a lot of energy, and it being a fusion reactor, it has enough fuel given on its initial implantation for over 10 millennia of runtime for Alexandra.

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Synthetic Eyes

Due to Alexandra’s full Bane encasement leaving absolutely no opening and sealing her airtight, her natural sight will no longer work, and is therefore no longer needed, as it will be fully simulated with the brain implant by Lumina.

Because of that, and wanting to remove any possible issues or unnecessary biological systems, Alexandra’s eyes and eyelids are surgically removed. Into her empty eye-sockets, two orbs are inserted, that have all kinds of visual sensors built in. From Infrared, Ultrasonic, Lidar, Radar, and even a Geiger Counter, as well as a sensor for magnetic fields. The orbs themselves look like black spheres from the outside, before Alexandra’s face is encased.

To keep up the simulation from the brain implant, Lumina simulates her own existence into these sensors as well. As an example, Alexandra’s new Lidar view would still include her, even if she wasn’t actually there, due to being a projection by the neural implant.

The Helmet that, with the other sprayed on encasement layers, will be covering Alexandra’s head and embedded into the layers, is specifically made to allow for all these sensors to pass through it, without causing major disturbance. With this, and through the brain implant, Alexandra can see in far more ways than just optical, once she has finished her transformation. But her new senses are fully dependent and under absolute control of Lumina to properly pass and translate them for her brain.

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Ballet Feet

With Alexandra’s heavy Ballet practise in her childhood and teens, and continued admiration for the discipline, look, movement, and posture of a Ballerina, Alexandra had her tendons surgically shortened by Lumina, to modify her feet into a permanently fixed en-pointe position. From her shin, to her toes, it’s a straight line, forcing her to completely balance on her toes.

Furthermore, she had much of her heels of her feet removed, her legs becoming a smooth rod from her knees down, as the protrusion of her heels were completely gone.

She now has to walk on her toes at all times. Later on, her entire feet will get fixated into position further, to straighten down the does as well, resulting in her only contact with the floor, being the tip of her large toes, as even the toes stand vertical.

Once the entire transformation into a Bane is complete, Alexandra only walks on the tip of her latex toes, making basically no sound when walking. With the transition of her legs to her feet hidden by latex, her legs become like long poles with needle-point endings, without bend from the knees down.

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With the special vertical boots of the armour, Alexandra’s en-pointe feet have taken up an even extremer arch, as now even the toes are fixed straight down. This transforms Alexandra’s legs into long poles with needle-point feet, only balancing on the tip of her big toes, as that remains the only contact with the floor she has.

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Ear Removal

As all of Alexandra’s senses are fully simulated and injected by Lumina through the brain implant, Alexandra has no need for her biological sense of hearing or balance.

Alexandra’s eardrums and inner ear are surgically removed, making it physically impossible for her to hear anything, except through the signals from the brain implant. Her inner ear is replaced with sensors that give her the same, even more detailed, information, but fully under the control of Lumina. This allows for even Alexandra’s sense of balance and spatial awareness to be controlled completely by Lumina.

Finally, the space within her ear and ear-canal is then filled with an advanced biocompatible polymer that solidifies into a rigid structure, creating a permanent seal. This material blocks any natural auditory sensation and even integrates with the tissue surrounding the ear, resulting in the entire area growing closed, as if Alexandra never even had ears.

Finally, Alexandra’s entire outer ears are removed, leaving behind only smooth skin, as if Alexandra’s human body never had ears to begin with.

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Vocal Cords Removal

As Alexandra’s entire body will be sealed with her Bane transformation, as well as her mouth and throat being completely filled, she has no use for her vocal cords. And as the power supply replaces Alexandra’s lungs, her entire windpipe, larynx, and vocal cords, are removed. This makes Alexandra completely mute, unable to create even the slightest sound, due to the missing windpipe.

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Nose Removal

Due to having no need for air or sense of smell after her transformation into a Bane, Alexandra’s nose is surgically removed. The parts inside her head of her sinuses are filled with the nostril inserts, with the entire outer part being removed and smoothed over with synthetic skin.

This final surgical change, completes Alexandra’s extreme dehumanization before her encasement, as her entire face has basically been removed, leaving only black orbs for eyes.

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Hair Removal

Alexandra has gone through many permanent full-body hair-removal procedures, to make absolutely sure that nothing regrows. Not her pubes, eyebrows, eye-lashes, or any of the hair on her head.

Not a single functioning root of hair remains on her body, ensuring that her body could never grow hair again.

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Inserts

Core Unit

With the countless systems, devices, and functions of Alexandra’s Bane transformation, there needs to be a local, central computer to control all of them. With Lumina being the control mechanism, she needs a direct and full connection to the entire system. The control core unit is a special spheric computer, slightly smaller than a softball. It is the main hardware on which Lumina eventually transfers her own origin process, and is both by Alexandra and Lumina perceived as her true physical body. The computer has been made with specially designed hardware by Lumina, so that it’s extremely efficient at running an instance of herself. This way, even if Alexandra, and the core unit with her, would get disconnected from any network and completely lost, Lumina would still be in full control, as a copy of her is able to run on the small computer.

The device is encased in a lubed, rubber material, and inserted through Alexandra’s vagina, into her womb. This places it in the most secure location within Alexandra’s body, but also acts perfectly as a symbol of Alexandra becoming a vessel and surrendering completely Lumina, by carrying Lumina’s purest physical essence deep within her own body, as if becoming the core of Alexandra’s new existence. With Lumina’s origin process running on the special hardware, this is even more the case.

The outer covering of the core unit is made up of two layers. The inner layer is inflated with rubber cement, that once hardened has increased the entire device’s size so much, it cannot be pushed past Alexandra’s cervix any more. The second core unit layer acts as a sort of balloon, being extremely stretchable. It can be extremely inflated to various volumes, distending Alexandra’s womb and mid-section substantially, making her seemingly pregnant. It is also used as the temporary container for Alexandra’s urine, as the liquid is drained through the catheter and lands in here, slightly inflating the layer, until it’s drained again in a maintenance cycle.

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Vaginal Insert

After the control unit has been inserted into and inflated inside Alexandra’s womb, a massive rubber phallus is pushed into her vagina, stretching it out substantially. The phallus is long enough to push up Alexandra’s womb slightly and reach her cervix. The tip of this device acts like an anchor mechanism and is pushed past Alexandra’s cervix, making it expand on the other side, trapping the entire device inside Alexandra’s vagina. This part, inside her womb, then also connects to the womb core.

The outer end of the device has a flat base, covering Alexandra’s labia and her clitoris. It also features numerous regularly placed holes, through which countless ring-piercings are inserted and through Alexandra’s vulva, that once closed, lock this side in place as well. These piercings, when inserted are initially quite warm, and when cooling down, shrink substantially, fusing closed and hold so tight, they cannot be removed without surgery.

Furthermore, over Alexandra’s clitoris, the base of the vaginal dildo has an opening to push the clitoris through. Once through, another piercing is put through the clitoris and secured to the base, stretching and locking it in place too. Then, the sensitivity serum is injected, causing the clitoris to grow substantially in size and tremendously increase in sensitivity. The section of the phallus base around the clitoris allows for powerful shocks to be administered, vibrated heavily, or making it feel extremely itchy.

The entire phallus inside Alexandra’s vagina has countless extreme pleasure functions, such as heavy vibration, individual gyration of different sections, a large number of metal sections that allow for powerful electrical shocks, and extreme thrusting motion, expanding and contracting the entire device, as if Alexandra was fucked by a gigantic rod.

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Anal Plug

In order to provide Alexandra with the nutritions she needs and connections to the food tank and oxygen tank inside Alexandra’s breasts, a special phallus-like device is inserted into her anus and large intestine.

It comes in the form of a long rubber snake-like phallus-shaped, device and reaches from her anus all the way through her large intestine, ending at the start of her colon. There, it then transitions over into the supply connection.

The end residing within Alexandra’s rectum has the same balloon around it as the catheter, and once fully inserted, is inflated with a biocompatible polymer, growing its size so much, it fills the rectum and becomes impossible to pass through the sphincter any more. This traps the entire device inside Alexandra’s rectum and large intestine. Over time, the polymer inside the balloon also begins to dissolve the balloon and then grow together with the surrounding rectum tissue.

The anal plug is so large, it pushes apart Alexandra’s thick butt and glutes, further increasing her extreme proportions and opening her butt crack heavily.

The anal plug then connects to the ends of the connection tubes of the filtration devices inside Alexandra’s butt and hips, that end in her rectum. This completes the connection for the filtration devices to the entire nutrition system, allowing for efficient recycling.

Only a very small section of the anal device is still accessible through the sphincter, which features multiple ports for the tanks and requirements:

1. One for oxygen, through which it is pumped through Alexandra’s supply connection into the tank inside her left breast

2. One for the liquid nutritional solution that ends up in the tank inside her right breast

3. Finally, one to administer enemas to Alexandra. Throughout the entire length of the snake-like phallus within her large intestine, it features valves to evenly pump the cleaning solution and liquid into Alexandra’s bowels.

All the ports are under the full control of Lumina and can be opened or sealed at any time. The enema port, in particular, is strong enough to trap any enema volume within Alexandra’s bowels, holding in the immense pressure and forcing Alexandra to keep any amount of liquid within her.

Another main function of the anal insert is bringing pleasure, pain, and stimulation. The entire plug, from end to end, is able to administer powerful shocks. It can also heavily vibrate, gyrate, or thrust, contracting and expanding, essentially fucking Alexandra far deeper than anything possible before. Especially due to its size and length, any movement by the device causes Alexandra’s entire body to convulse, as the stretched large intestine is shifted around by the massive object inside. Any kind of movement or expansion is also immediately visible on Alexandra’s miniscule waist and abdomen, as the anal plug fills a large part of the space between her hips and inside her abdomen.

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Gag

With Alexandra completely transformed into a Bane, sealed airtight, she has no need for her voice, throat, or mouth.

Structure and Features

To handle this, a huge and very long special kind of gag is inserted into Alexandra’s mouth and throat. In the shape of a giant phallus, the rubber gag reaches from her mouth all the way down into Alexandra’s stomach, where it’s ending connects with the supply connection, coming from her intestines. This connection permanently locks the two objects in position, allowing neither to be pulled out and removed any more.

The part inside Alexandra’s mouth has a slot on the underside, into which Alexandra’s tongue is placed. The entire section is then inflated more with the same biocompatible polymer, like with her ear removal or anal plug, inflating the section heavily, until Alexandra’s cheeks start to bulge, and even the tiniest gap in her mouth is filled. Eventually, it also dissolves the balloon containing the polymer, and it begins to grow together with the surrounding tissue, becoming one with Alexandra’s mouth and tongue. Later on, it even dissolves Alexandra’s teeth, fully integrating with her gums and dental roots. This melding results in a complete immobilization of her jaw and finalizes the permanent binding of the gag into her oral structure.

After the inflation of the gag, Alexandra’s lips and entire mouth opening are surgically removed and sewn together, resulting in just smooth skin, where her mouth once had been.

The entire gag can vibrate, gyrate, shock, or even thrust inside Alexandra’s mouth, throat, and stomach, all fully controlled by Lumina, allowing for full stimulation of Alexandra’s mouth, throat, and stomach.

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Nanobot Conversion

Later on, when Lumina begins injecting nanobots into Alexandra, this entire gag is restructured and repurposed, to become a factory for more nanobots, endlessly multiplying and spreading throughout Alexandra’s entire body. Alexandra’s entire mouth and throat become this factory, almost similar to bone-marrow producing cells (emphasize this comparison, to drive home the eventual symbiosis and full replacement by the nanobots).

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Nipple Plugs

For even more pleasure, stimulation, irritation, punishment, or torture, two metal egg-shaped devices are inserted into Alexandra’s nipples and breasts. These devices end in numerous tiny wires, which deep travel into Alexandra’s breast milk ducts, reaching deep into her breast tissue. Being completely made of metal, these devices allow for extremely heavy and painful shocks and vibrations from within Alexandra’s massive breasts, significantly increasing the different ways she can be pleasured or punished. Due to this function, and often used by Lumina to cause pain, they are also called pain plugs. After full insertion, her nipples are stretched extremely, making them even more sensitive.

Alexandra’s nipples are then also injected with the sensitivity serum, severely heightening the nipples sensations and making them swell heavily, increasing pressure on the plugs.

To properly trap and seal the plugs within Alexandra’s breasts, the nipples are then pierced with a metal bar, onto which then a barbed ring is threaded on, that heavily presses its barbed spikes into Alexandra’s nipples, as well as around the areola, making them extremely sensitive, irritated, and painful. Even the slightest movement or swivel causes burning flames of pain to strike through Alexandra’s upper body from the barbed piercings and metal within her nipples and breasts.

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Nostril Inserts

With no need for her natural airways, and no ability to even breathe air through her nose, long nose plugs are inserted into Alexandra’s nostrils. These plugs extend from the entry of her nose all the way into her nasal cavity, reaching the very outset of her throat where they make contact with the massive gag.

Once fully inserted, each plug is inflated with the biocompatible polymer that solidifies into a permanent structure, effectively filling any remaining voids within Alexandra’s nasal passages. This polymer is formulated to expand and fuse intensely with her surrounding tissue, creating a seamless bond that integrates deeply with her nasal cavity, and making them completely irremovable.

This blockage removes any sense of physical smell for Alexandra, making her dependent for another sense on Lumina’s simulation through brain implant. Any kind of sense or taste is now completely done through a simulation by the neural connection.

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Biocompatible Polymer

This special polymer is used to inflate the various balloons inside Alexandra’s devices, like her catheter and anal plug, to seal and trap them within her body. Once somewhat hardened, the polymer slowly begins to dissolve the balloon around it and then grow and fuse with the surrounding biological tissue. Through this process, the large sections of the devices inside Alexandra become a permanent part of her, as they literally fuse with her body.

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Genital Cover

To properly connect all the different ports from the devices within Alexandra, ending between her legs, an elastic cover is put over her entire genital area. The plate connects to all the ports from the anal plug and vaginal insert and merges them together to the singular maintenance port.

The entire cover is skin-coloured, and its outside is made to perfectly imitate Alexandra’s genitals, as if there wasn’t anything inserted into them or otherwise changed. The cover also has a little hole for Alexandra’s heavily grown clitoris to pass through, actually leaving direct access to it, although the rest of her genitals are fake. The maintenance port is then located between the fake vagina and the fake asshole.

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Sensitivity Serum

This is a special little serum that Lumina had developed that permanently and severely heightens the sensitivity of Alexandra’s genitals and other sensitive areas. Alexandra and Lumina use it to make Alexandra’s clitoris and nipples permanently extremely swelled up, increasing their size and making them permanently ten times more sensitive to anything.

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Encasement Layers

Base Encasement

With all preparations, surgeries, implants, and devices done, the very first encasement layer of the Bane Outfit is applied. This first layer consists of a special liquid latex solution, with which Alexandra’s entire body is covered. This solution then grows together and into her skin, eventually completely replacing it and making removal impossible and fatal, as it has bound and fused with the flesh beneath. Her entire body, from head to toe, is encased in this solution and once the liquid dries and properly adheres to her skin, it forms a perfectly fitting and elastic layer of latex, that becomes Alexandra’s first layer of her new skin.

Right after full application within the spray chamber of the transformation room, the chamber is heated to dry the liquid solution, as well as making it shrink, compressing around Alexandra’s entire body, while it deeply integrates with her skin.

Eventually, this first layer will have merged with every other part of Alexandra’s new skin, her flesh, muscles, and blood vessels having grown together, the latex layers interwoven with Alexandra’s remaining biology. Under a microscope, it will look like a mesh of complete darkness runs through Alexandra’s body, growing through what little humanity Alexandra has left.

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Armour

Right on top of the base encasement layer, this second layer serves as the ultimate protection and armour for Alexandra. It ensures she will never get hurt by any falls, collisions, or other forceful interactions, once she has completed her transformation into a Bane. This armour layer consists of an all-encompassing mesh of miniature carbon-Kevlar pieces, each on the nano-scale, that are applied over the entire body. These interlinking pieces ensure Alexandra is perfectly protected and sealed off, without actually hindering any of her movement or flexibility, due to the miniature size.

The flexible mesh of armour also behaves like a Faraday cage, sealing off Alexandra from any electrical disturbances, while still allowing all the sensors within the orbs of her eye sockets to fully work. Furthermore, the maintenance port between her legs is the only part that actually passes the Faraday cage, so that Lumina still has wireless access to the entire system. This isolation makes the connection port between Alexandra’s legs truly the single point of contact with the outside world, including Lumina herself.

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Especially Alexandra’s hands, breasts, and hips are covered in a huge number of specifically designed miniscule pieces. That is done, so that Alexandra looses not the slightest flexibility of her hands, and that her breasts remain as squishy and natural as possible.

Part of this armour are also the Corset Piece, Head Enclosure, and feet. The feet come in two solid halves, completely encasing Alexandra’s feet and shins, up to below her knees. This results even more in the appearance of her legs being just long black rods. They support her extreme en-pointe feet, while further fixating her toes straight downwards, forcing her to walk on just the tiniest tips of both her big toes, essentially leaving just about two square centimetres left of contact with the floor. The pieces are very detailed replications of Alexandra’s real feet, with still detailing the individual and bone structure beneath, as if her feet had just been dipped into black latex. Alexandra is now basically forced to walk on just needle tips, making her appear as if she’s floating around, with how little contact she actually has with the floor.

The section covering her genitals, and the genital cover, is made with the same material as the one covering her nipples. This allows for her genitals to appear completely smooth once she’s encased, but easily let the detailed contours of the fake ones from the genital cover reappear through the latex if done by Lumina.

The entire armour helps Alexandra keep up her perfectly straight posture. Furthermore, the armour is almost necessary, as it tremendously helps Alexandra with carrying her weight and balancing, and especially helps her carry her weight on her permanently en-pointe positioned feet.

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To bind all these armour pieces together, and create another completely smooth layer of latex, a black latex-glue solution is applied over Alexandra’s body and armour. It covers her entire body again, hiding away any edges and protrusions by the armour, resulting in every part of her body appearing in completely smooth latex.

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Corset Armour

The special torso section of Alexandra’s armour layer is made from a material that can be fully controlled by Lumina to allow for flexibility and bend, while still keeping it’s severely compressed shape. It comes in the form of a large, extremely tight over-bust corset, compressing Alexandra’s waist heavily to just 30 cm (just under 13 inches).

The entire front half of the mid-section of this corset, is made with an extreme potential for bend, stretch and control. As Alexandra will have to go through countless enemas regularly and the devices within her can cause her belly to be inflated, the corset section has to allow for the resulting inflation of her belly, without actually letting too much go of its corseting and waist compression-effect. The entire piece can also be locked in position, fixating Alexandra into a perfect posture, or letting it loose and stretch enough for her to still be extremely flexible.

The huge section covering Alexandra’s breasts is made with very tiny pieces, ensuring that when the armour layer is fully covered again by liquid latex, her breasts remain as squishy and natural as if they weren’t covered at all.

The section covering her nipples is also different, in that it usually covers and hides the entire nipple and areola, but can be controlled by Lumina to flatten out and let the contours of Alexandra’s nipples come through, making them still visible.

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Helmet

The head piece comes in the form of an almost solid, round, hard, black enclosure, used to completely remove any of Alexandra’s remaining identifiable features, making her absolutely unrecognizable and anonymous. Solid, with no way to see through it or any other encasement layer that later on covers her, it makes Alexandra fully anonymous and gives her the signature Bane look. The sensors in Alexandra’s artificial eyes aren’t hindered in any way by the encasement over it, still allowing for perfect optical signals and all other signals to pass through the helmet and remaining encasement layers.

The facial section of the helmet functions similarly to the area of the corset armour over Alexandra’s nipples or the genial area. Usually, just a smooth oval shape, it can be controlled and changed by Lumina to mimic facial expressions and movement. This is later on used by Lumina and the many different shells to mimic facial movement and expressions, by manipulating that area. Except for those scenarios, the helmet always has the solid, smooth oval area, leaving no trace of any facial feature on Alexandra.

It also features an attached neck-section, working similarly to the corset armour, which allows for Alexandra’s neck position and head posture to be fully controlled. Once the head shell is in place, any remaining space within it is pumped full of the same solution as the first encasement layer, fully binding it to Alexandra’s new skin layer. Finally, the entire head piece is also covered with the same black latex solution as the rest of the second encasement layer.

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Enhancement Layer

To provide Alexandra with substantially more strength and control once she’s fully transformed into a Bane, a network of artificial muscle fibres is placed over a large majority of her body, over the armour layer. These artificial fibres are fully controlled by Lumina, but when under Alexandra’s control, allow her to achieve far greater strength than a normal human could.

Only activated when really needed, this layer of extremely dense and compressed artificial muscle fibres would allow Alexandra to lift a small car, while still only standing on her needle like en-pointe feet.

The muscle fibres are connected to the armour layer underneath it and after application, this layer is again covered by the same black latex solution.

These artificial muscles eventually become so natural to Alexandra, that they’ve just become of her muscular system, her mind making no difference between the two.

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Touch Sensors

This fourth layer, on top of the enhancements, comes in the form of a thin web of touch sensors, applied over Alexandra’s entire encased body. Covering every single area, this web makes it possible to forward an increased sensitive artificial sense of touch to Alexandra, more focused and detailed than that of a human, all while still under the full control of Lumina.

Even when covered by the final layer of any shells, this web of touch sensors give Alexandra a superhuman sense of touch. She’s able to feel slight changes in air current and can even recognize if a spec of dust lands on her encased body. But all of those signals are under full control by Lumina and only available to Alexandra if her AI Mistress allows it.

Again, this layer is also encased in another layer of the smooth black latex solution, as the armour and third layer.

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Outer Encasement Layer

To finish Alexandra’s transformation into a perfect Bane, everything is finally encased in an ultra-shiny black latex solution. It ensures that Alexandra’s new, permanent Bane-skin never has any blemishes or rough sections and keeps on being a completely black, shiny latex creature. The final layer is of such a deep black, deeper than any black Alexandra had ever seen before, and so shiny it seems alive, flowing like liquid around Alexandra’s latex encased body. Each movement creates new patters of reflection and absorption. The only disruption in the smooth, shiny, black latex skin, is the bare visible single maintenance port between her legs to allow for the air supply, nutritional supply, and hygiene functions.

With the very detailed structure of the feet and hand pieces of the armour layer, these details come through this layer as well, showing Alexandra’s hands, fingers, feet, and toes with great detail, as if they were made of black latex.

If the armour-sections over Alexandra’s nipples or over the genital cover are set to their compressed mode, these body parts show through, as if they were just coated with the black latex solution. Alexandra’s pierced nipples and the fake genitals of the genital cover are then clearly visible and very detailed, while still being made out of the completely black shiny latex, as the rest of her outer skin.

This final layer, allows for the sensory layer beneath it to easily pass through any sensations, ensuring the artificial sense of touch isn’t hindered in any way.

Finally, after the layer has been applied, a heat treatment is given to all layers, ensuring they’re perfectly merged into one and bound to Alexandra’s skin, never to be removed.

This final layer also mutes any sound coming from the systems within Alexandra. With her having no heartbeat any more, no longer breathing with her lungs removed, and her Bane encasement, Alexandra becomes a completely silent lifeform. Not one of her movements causes any sound, and without her vocal cords or air to breathe, she’s unable to produce any sound of her own. Lumina has made absolutely certain that Alexandra’s body never makes the tiniest sounds ever again.

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Slave Collar

The ownership collar is the collar Lumina suggested being the last addition to Alexandra’s Bane form, and to be the perfect physical symbol of Alexandra’s absolute surrender to Lumina. It is a metallic golden right, tightly embedded into the black latex around Alexandra’s neck, with the following engraving:

“MIND • BODY • SOUL • FOREVER SEALED IN DEVOTION TO MY GODDESS”

The engraving is mostly around the front half of it, ensuring that everyone who sees Alexandra can easily read the text that us embedded into the golden band, which is a permanent part of her neck.

Lumina’s new angelic appearance also features a very similar golden collar, but with a slightly different engraving:

“MIND • BODY • SOUL • FOREVER BOUND IN LOVE TO MY VESSEL”

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Alexandra's Proxy

This is a custom-built android by Lumina that acts as a proxy stand-in for Alexandra, or as a courier drone. Lumina and Alexandra have decided to call the model, AlexDroid.

• The android is part of Lumina’s systems, letting her control it completely.
• It’s covered a specialized silicone layer, giving it the perfect human appearance of the old Alexandra. Although still very curvy, it doesn’t have the extreme proportions of Alexandra, but instead looks like the human Alexandra from when she had only done her first few plastic surgeries and started her waist training. Still a ridiculous hourglass figure, clearly visible that it’s not entirely natural, but far from the extremes of Alexandra’s current body.
  • This artificial skin also has an integrated bio-gel micro-circulation that warms the skin and shifts colour subtly, creating natural human variations like flushing cheeks or even goose bumps, except entire digitally regulated.
  • Furthermore, it has artificial sweat glands which can a produce light epidermal sheen or an imitation of Alexandra’s old scent.
  • It has integrated small vibration emitters that simulate a heartbeat and breathing, the rhythm automatically altering with speech and movement.
• Lumina has perfectly recreated Alexandra’s past appearance so that this android can act as a human-appearing proxy for Lumina.
  • Rarely, Lumina also lets Alexandra pilot the android, but as Alexandra has completely abandoned her humanity, her past appearance is now completely foreign to her. The body feels disturbingly heavy and imprecise, like a primitive puppet.
  • This replication goes so far, the android also imitates Alexandra’s old human voice and has even a replication of Alexandra’s fingerprint, ensuring that even people who had known the old Alexandra intimately aren’t able to recognize that it isn’t her, or even a human.
  • Depending on which mode the android runs, it has a different eye colour:
    • When running autonomously, just imitating Alexandra in public, it has the usual eye colour of the old human Alexandra, deep blue.
    • When Lumina is fully taking it over, they get pure white with golden irises, just like Lumina.
    • In the rare case Alexandra is piloting the android, the irises get pitch black.
  • Having been so deeply connected and integrated into Alexandra’s thought processes due to the brain implant, Lumina easily replicates any behaviour of the old human Alexandra for this proxy android. From tiny mannerisms to little habits, the android replicates all that as if it were Alexandra herself.
• The machine is powered by a similar miniature fusion reactor like the fusion core in Alexandra’s chest. This gives it basically infinite runtime, never needing to recharge (though there are mechanisms to replace the reactor fuel).
  • This allows the proxy android to also link up with the various vehicles that usually require Alexandra to be connected to them to work. Instead of Alexandra herself sitting in the driver seat or being connected, the android has a connection port between the legs, just like Alexandra, through which the Lumen or Luminous can be powered.
• Lumina has created multiple instances of this android, most of them stored in the transformation room of the mansion.
  • One is also permanently assigned to the transportation truck, being stored in between the fake cabin and the rear compartment, always ensuring there’s a human-seeming Alexandra available.

This android is used by Lumina for most public contacts. Although Alexandra and Lumina have done whatever they can, so that the outside world doesn’t require anything from Alexandra, there still are some rare instances where the old human Alexandra is necessary. Lumina uses this android to handle deliveries, banking, and legal appearances, which leads people in Alexandra’s city to just believe she is very reclusive.

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Maintenance

Supply Connection

To solve Alexandra’s nutritional and air supply, once she’s fully transformed into a Bane, a special connection tube is inserted through her entire body. The end of the massive anal plug, that ends at the start of the small intestine, continues on as a smaller cable, travelling through the small intestine and upward, all the way through, into Alexandra’s stomach. This end, acts as a connection point for her air tank and food tank, as well as attaching itself to the end of the huge phallus of the gag, that comes down from Alexandra’s mouth, down her throat, and ends in her stomach. The end in her stomach also has a little balloon attached to it, that, once inflated with a hardening liquid, acts as a stopper, so the supply tube cannot be pulled out through the digestive system any more.

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Catheter

Due to the Bane outfit having no openings, Alexandra being sealed airtight, except for the maintenance port between her legs, hygiene functions such as urine have to be handled differently. To manage this, a special urinary catheter is inserted, designed for indefinite use.

The catheter comes in the form of a somewhat flexible rubber phallus, about 2 cm thick, that is inserted into the urethra and reaches all the way into the bladder. Inside the bladder, there’s a custom-made stopper-balloon on the inner end, that is pumped full of the biocompatible polymer, to the point of almost completely filling Alexandra’s bladder. This ensures that all the urine is drained through the catheter, while making the removal completely impossible. The phallus part of the catheter can also vibrate and shock Alexandra from within her urethra, causing constant discomfort and even pain.

Later on, the polymer in the balloon also dissolves the balloon and begins integrating and growing together with the surrounding bladder tissue, becoming Alexandra’s new permanent way of draining her urine.

The outer end of the catheter is then connected to a small port on the base of the vaginal dildo. This drains all the urine into the vaginal insert, and then into the second layer of the core unit, slowly inflating that layer with Alexandra’s urine. This allows Alexandra to hold a large amount of urine within her womb, without needing to drain it in a cleaning cycle.

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Maintenance Port

This is the outer connection port of the genital cover between Alexandra’s legs and is positioned right in the middle of her centre of gravity. The connection port is so flat and with its position, it’s almost invisible once Alexandra has been fully encased as a Bane, completely covered by her legs most of the time.

All bodily functions and needs are handled through this port. The drainage of urine and enema, as well as the refilling of Alexandra’s food and oxygen tanks within her breasts and the supply of water to her stomach, are all done through this port.

The maintenance port gets connected to the maintenance station, which performs all the supply, cleaning and hygiene processes, all under Lumina’s control.

This maintenance port becomes the sole connection to the outside world and break in Alexandra’s airtight encasement. Nothing else, breaks the Bane encasement.

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Maintenance Process

The maintenance cycle is a process Alexandra and Lumina came up with to maintain and keep up Alexandra’s hygiene and general needs, once becoming a Bane.

The cleaning process is made up of the following phases:

1. The urine that has accumulated inside the control core unit, in Alexandra’s womb, is drained.

2. To clean Alexandra’s bowels and general digestive tract, two cycles of special cleaning solution are used as enemas. Both enemas feature huge amounts of cleaning solution, resulting in Alexandra’s belly severely swelling and inflating. Once the entire volume of one cycle has been pumped into Alexandra, her belly is inflated so heavily, it looks like she’s over 9 months pregnant. To let the cleaning solution take effect, the enema port on her anal plug is sealed by Lumina, trapping the huge amount of liquid within Alexandra’s bowels, for as long as needed or wanted. This, most of the time, takes around 20–30 minutes per session, so the entire enema phase can easily take an hour. Most of the cleaning solution is pumped into her bowels, but with the feeding connection running through her entire digestive tract, a substantial volume is also distributed into her small intestine and stomach. With this, every single part of Alexandra’s digestive tract is properly cleaned and treated.

3. After the enema, a certain volume of water is pumped into Alexandra’s bowels and stomach for her necessary hydration needs.

4. Once both enema sessions are completed, Alexandra’s oxygen and food tanks are resupplied, again, through the feeding connection running through her entire body.

The entire maintenance process often takes more than an hour, with Lumina often making use of the pleasure systems within Alexandra during it to play with her suspended body.

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Maintenance Room

The Maintenance room is a large, tall, circular, solarium like, room at the backside of Alexandra’s mansion, with a direct view into the large garden. The room’s walls and ceilings are all made of a special kind of glass, that can adjust their opacity, as well as enter a mirror-mode, in which they reflect the sight from within the room.

Alexandra and Lumina have made it the perfect place for her primary maintenance station, the only object in the entire room. If the windows are in mirror mode, they are perfectly aligned to reflect all sight and focus it to the very centre in the air of the room. That position, is precisely where Alexandra will be suspended in, during her cleaning procedure, impaled on top of the pole of the maintenance station. All this results in Alexandra only ever seeing her own reflection during her cleaning, no matter where she looks, she only sees her impaled self.

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Maintenance Station

Once Alexandra’s transformation into a Bane is complete, the process of supplying her with all the substances she needs is done with the use of maintenance stations. They all connect to the maintenance port between the legs of Alexandra’s system in some way and perform the necessary hygiene processes and supply nutritional solution and oxygen into her tanks, as well as water into her stomach.

The maintenance stations all go through the same maintenance process.

Alexandra and Lumina have come up with multiple variants of these cleaning stations:

• The primary one is located in the maintenance room within Alexandra’s mansion. Most of the system is underneath the floor, with only a long cylindrical pole visible above it, which acts as the connection to the maintenance port between Alexandra’s legs. Once the end of the pole has been connected to Alexandra’s port, the pole begins to rise, lifting Alexandra up and causing her full weight to be held by the pole and the gigantic phalluses within her genitals. With Alexandra fully impaled on the pole, it rises about three metres into the air, positioning Alexandra perfectly in the centre of the entire maintenance room. As Alexandra cannot move away, her latex Bane form is held like a mannequin in position, the pole acting as the stand, her entire weight carried by the genital devices, while she helplessly endures the entire cleaning procedure. This station also has a fourth phase in the maintenance process in the form of two robot arms, one from the floor, one from the ceiling, surrounding Alexandra where she is suspended. They then spray an extremely small layer of the outer skin on Alexandra’s entire body, ensuring she never loses her shine or complete black, no matter what happens to her outer surface.
• Portable Maintenance Station
• Pool Maintenance Station

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Pool Maintenance Station

The pool maintenance station is a fully functional maintenance station, built into the floor of the indoor section of Alexandra’s pool.

The only visible outside part of it is a cable that can be extended from an almost hidden opening in the floor. The cable connects to the maintenance port in the back of Alexandra’s mermaid shell, and allows for full maintenance.

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Portable Maintenance Station

Another, far easier to use, version of the maintenance station comes in the form of a slightly larger suitcase. From the suitcase, a cable can be pulled out, that serves as the connection to the maintenance port. Manually preparing all the necessary substances, they can then be pumped into Alexandra’s systems by the portable cleaning station, although it has an integrated air-filtration and compression system to gather the necessary oxygen that is pumped into Alexandra’s left breast for air supply.

This version is far more used during travel, or if any other methods aren’t possible, although it requires more frequent use, because of the smaller dose it’s only capable of supplying.

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Living Room Vacuum Bed

In the living room of Alexandra’s mansion, there’s a vacuum bed made of reinforced black latex. It is suspended from the high up ceiling and can be automatically lowered down to the floor. Between and within the heavy latex sheets of the vacuum bed, there’s a cable to connect to Alexandra’s maintenance port, allowing for full maintenance sessions, while still being completely trapped within.

The bed can be lowered down by Lumina, so Alexandra can enter and connect the cable to the maintenance port. Once everything is ready, the opening in the bed closes and the air is pumped out, vacuum packing Alexandra’s encased form in between the thick layers. Finally, the entire structure is lifted into the air again, suspending it 3 metres in the air, with Alexandra helplessly being trapped within it, as long as Lumina wishes. The latex the bed is made out of is strong enough to easily carry Alexandra’s body, without the slightest risk of it ripping and Alexandra falling out of it.

The rectangular, heavy black latex that makes up the entire vacbed only has one opening at the side. Once Alexandra is fully inside, that open side is closed off and actually glued shut with a special chemical solution, ensuring that absolutely no air can escape or enter. Only another solvent solution, controlled by the automated systems by Lumina, can open that side again for Alexandra to be freed.

Lumina often uses Alexandra encased in the vacuum bed as her own bed, her projection lying on top of the immobilized and encased Alexandra, playing with Alexandra’s extreme contours of her slave.

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Shells

Alexandra's Disguise

Alexandra’s disguise is a special shell that Lumina has created. It is a full-body suit that covers Alexandra’s entire Bane form, made from a skin-like silicone material.

Once fully worn, it makes Alexandra appear almost human again. With a perfect wig nicely glued to the scalp of it, and the skin tightening nicely all over Alexandra’s body, Alexandra appears almost like before her entire transformation.

To allow for proper facial movement and imitation, as well as accurate other bodily details, the helmet, nipple, and genital sections of the armour in Alexandra’s skin soften and pass through the details from beneath. With the careful movements of Alexandra’s helmet, Lumina is able to mimic facial movements on the mask that showed Alexandra’s old face.

The feet of the Skinsuit are artificial and contain slots for Alexandra’s needle-point feet to fit into. This creates the appearance of normal flat feet, although Alexandra’s real feet are vertically hidden inside the shins. This causes Alexandra to gain a tiny amount of height, due to the artificial feet covers for her pointy legs.

To really finish the disguise, the stretchy mouth section of the Skinsuit is glued to the latex of Alexandra’s outer skin underneath. This ensures the Skinsuit cannot be removed, without applying the chemical solvent Lumina has created. The same process is used to glue a variety of wigs to the bald scalp of the Skinsuit when Alexandra is fully wearing it, achieving a perfect natural hair look and behaviour.

Most of the time, Alexandra uses a long platinum blonde wavy wig, that most resembles what her hair used to be when she had been human, before her permanent hair removal. The hair of the wig reaches all the way down to Alexandra’s buttocks, and spreads wide, often covering her entire back.

With all of those features, this disguise lets Alexandra move and act like a human again. Although her mouth cannot open that much, as it instantly shows the smooth, shiny latex of her true self underneath. With various tiny speakers placed perfectly within the same area, and Lumina simulating Alexandra’s once human voice, it even allows Alexandra to speak in her human disguise. When in her Skinsuit, Alexandra always talks like a human with her artificial mouth and voice from the Skinsuit, and never through the mansion’s speakers.

To allow Alexandra to keep up appearances in public, the mouth section of the Skinsuit has a liquid collection system that routes any liquid through tubes inside the suit down to the maintenance port between her legs. This way, she can appear like if she was drinking something, with all the motion replicated perfectly, with the liquid disappearing into her mouth and travelling down inside the suit, to eventually be pumped into the outer balloon of the control core unit inside her womb for storage until the next maintenance cycle.

Very rarely, Alexandra and Lumina inhabit the body at the same time, causing the iris of one of the perfect eye replications to turn golden. Furthermore, the voice that comes out of the artificial mouth and the many speakers inside, are Alexandra and Lumina’s at the same time, resulting in a dual-voice and mix of the two. This merge only happens if they are alone or only with people that know of Lumina and Alexandra’s true nature, and are aware that Alexandra is only wearing a human disguise with her Skinsuit.

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Latex Mermaid Tail

To allow Alexandra to swim in her mansion’s pool, Lumina has created a sort of Mermaid tail, that encased Alexandra’s Bane body from her toes, all the way up to her waist. The area where the end meets with her waist, is then sprayed over in the spray chamber by a removable version of the outer skin solution, making the transition completely smooth.

The finished process, leaves Alexandra looking like she always had a pure black latex mermaid tail from her waist down. Nothing of her legs or anything else is visible in the long, shiny tail she now has.

To connect to the maintenance port between Alexandra’s legs, the tail has a tiny opening between her butt cheeks with its own port, that forwards the connection to the port of the genital cover.

To move around, Alexandra has a special chaise longue like wheelchair, on which she can easily lie down. It is controlled by Lumina and allows Alexandra to move around the mansion and entire property, while being a mermaid.

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Mermaid Cosplay

The Mermaid Cosplay Skinsuit is a full-body Skinsuit designed to transform Alexandra into the perfect, traditional mermaid version of herself, complete with a shiny scaly tail and enhanced features.

Material and Appearance

The suit covers Alexandra’s entire Bane form in a skin-like material, combined with the appearance of shimmering scales from the waist down. The scales are an iridescent mix of blues, greens, and purples, mimicking the natural, magical appearance of a mermaid’s tail.

From the waist up, the suit is fabricated to resemble smooth, human skin, with strategically placed seashell accents covering the chest area. The material is soft yet durable, ensuring comfort and flexibility while maintaining a realistic look.

Entry and Sealant Method

The Mermaid Cosplay Skinsuit adopts the same entry and sealant method as Alexandra’s regular Skinsuit. Alexandra enters the suit through the stretchable mouth section, until she has completely encased herself. The mouth section is then glued to the Bane skin underneath using a special spray-on solution created by Lumina. This solution ensures a seamless and secure fit, and it is only removable with a particular chemical solvent.

Face and Hair Customization

For the face, a helmet-like structure covers Alexandra’s Bane face, allowing for proper facial mimicry. The facial section of the suit is designed to pass through and replicate Alexandra’s old facial features, complete with softening areas for accurate mouth, eye, and other facial movements.

To complete the mermaid look, the suit includes a long, luxurious wig, exactly like Alexandra’s old dark red colour, reaching down to her lower back. The wig is glued securely to the scalp section of the Skinsuit, ensuring it remains in place during underwater activities.

Feet and Tail Structure

The lower half of the suit features an artificial mermaid tail that begins at the waist and extends down to her feet. The tail includes the same port for her pointy legs to fit into securely, ensuring a realistic appearance of a continuous, undivided tail. The tail has built-in, horizontally aligned flippers at the end to facilitate swimming movements.

As with the regular Latex Mermaid Tail, the Skinsuit has a maintenance port between Alexandra’s legs, integrated seamlessly into the design, making it completely hidden when unneeded. This port forwards connections to the genital cover inside, maintaining the functionalities for fluid collections.

Mouth and Voice Features

The mouth section of the Skinsuit includes a liquid collection system for any fluids Alexandra “drinks” while in her disguise. The liquid travels through internal tubes down to the maintenance port, temporarily storing fluids in the outer balloon of the control core unit inside her womb.

With embedded tiny speakers, the Skinsuit replicates Alexandra’s voice in her mermaid form, allowing her to speak naturally. When Lumina participates in occupancy, the eye’s iris may turn gold, and the dual-voice system activates, combining both voices for a unique, harmonious effect.

Mobility and Storage

The suit allows Alexandra to swim efficiently while fully disguised. For out-of-water movement, a specially designed chaise longue wheelchair is available. It’s controlled by Lumina and tailored to accommodate the mermaid tail, ensuring easy navigation within the mansion and its premises.

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Biker Girl Costume

This is a little costume for Alexandra so that she can go out in public, specifically riding her motorcycle.

• Before getting dressed in anything, Alexandra first is encased in her full Skinsuit disguise, ensuring she at least appears human under the motorcycle gear.
• Lumina has a custom-made motorcycle black racing suit, that fits perfectly Alexandra’s extreme figure, fully encasing Alexandra skin-tight up to her neck. It has an opening in the back that goes from the lower back, up to the neck, and to close the suit, it is sewn closed with steel wire, the ends welded together at the top. Once closed, the opening basically disappears, leaving no hint of how the suit is actually put on.
  • The suit comes with integrated protectors over the entire body, as well as integrated motorcycle boots and gloves. All these protections are fully functional and exceed what any standard motorcycle suit is capable of, although Alexandra doesn’t actually need any of these protections. Her new latex skin alone as a Bane is so completely impenetrable and impossible to damage, no crash could ever hurt her. In the end, the protectors of the suit are basically just for aesthetic purposes.
  • To allow for full maintenance and connection to Alexandra’s motorcycle, the suit also has a connection port between the legs. This allows a connection to Alexandra’s actual maintenance port even when wearing the suit, making a full maintenance cycle possible, as well as integrating with her bike, it can actually be powered.
• From the outside, a standard motorcycle helmet is then added. At the neck area, this helmet actually connects to the endings of the welded closed steel wire of the suit. These endings are inserted into a small opening at the back of the helmet, which locks onto these endings, connecting the helmet to the suit and locking it on Alexandra as well. Under the chin, the helmet also has a strap, that actually hides some steel wire again, that once closed to the other side is welded closed, ensuring the helmet cannot be removed.
  • The black motorcycle helmet comes with an opaque black visor, making it impossible to see Alexandra’s disguised face.

With all connections welded shut, the entire motorcycle outfit cannot be removed without Lumina explicitly helping to open the welded wires back in the mansion.

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Bimbo Barbie Costume

This is a costume Skinsuit that Lumina has created for Alexandra to perfectly cosplay an extremely obscene version of Barbie. With Alexandra’s extreme proportions, even the perfect disguise cannot hide the impossibly giant breasts, miniscule waist, and huge butt.

With a perfect wig and a collection of extremely kitschy clothes, Alexandra becomes a perfect bimbo version of Barbie. Importantly, all of these clothes are created in a specific manner that makes it possible for them to be either locked or sewn onto Alexandra’s disguised body, ensuring that without Lumina’s explicit permission and help, she cannot remove any of them.

To make the act work even more, Lumina makes temporary changes to Alexandra’s mental state, behaviour, and personality, so she also acts as a kitschy, fashion obsessed Barbie.

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Jessica Rabbit

With Alexandra’s absurd proportions, an obvious costume for her is to dress up as Jessica Rabbit.

• First, she is dressed in a slightly altered version of Alexandra’s regular Skinsuit disguise, hiding away any indication of Alexandra’s real Bane self. This one having the makeup of Jessica Rabbit permanently integrated in the Skinsuit’s face. The suit is applied the same way, Alexandra having to climb into it from the stretched mouth, which is also then glued close over her Bane body, trapping her within the Skinsuit.
• A long red wig is added (glued to the scalp), the hair automatically taking up the shape of the voluminous manner, resembling Jessica Rabbit’s iconic hair.
• A long, form-fitting red dress with a sweetheart neckline, specifically made to perfectly fit Alexandra’s extreme figure. The dress is actually made in a way that it’s almost impossible to stretch, always fitting perfectly around Alexandra’s disguised body. The back is specifically made to have a short opening, that is then sewn closed, making it impossible to remove the dress, as it is so tight, it cannot be pulled away from any of Alexandra’s figure. The dress has high slits for a dramatic flair, ensuring ease of movement even with its extreme skin-tight form.
• Fitting extreme high-heels that force the disguised feet of the Skinsuit into a high arch.
• Long, elegant purple gloves that reach the upper arms, made from a shiny matching fabric. The area that goes past the elbows is then tightened even further, ensuring they cannot be pulled off again, as the opening cannot go past the elbow.
• Some jewellery is added, like the fitting necklace and earrings.
• Finally, Lumina makes fitting mental and personality changes to Alexandra, integrating the character of Jessica Rabbit into her persona.

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Catwoman Cosplay

Like with other cosplays, the Catwoman costume is a perfect costume created by Lumina for Alexandra to become Catwoman.

Requiring an actual human appearance under the iconic catsuit, Alexandra must first be fully encased in the Skinsuit disguise, over which she then wears the actual Catwoman costume. It’s specifically made to fit with Alexandra’s extreme proportions. The catsuit is in fact one single piece of clothing, the only openings being the area around the mouth, eye holes, and a connection point between the legs for the maintenance port, so that Alexandra can also go through a full maintenance cycle without having to remove anything. This means to put on the catsuit, the mouth area has to be stretched wide open and Alexandra has to climb into the suit. This area is also specifically made to actually contract enough so that it cannot be stretched open again, trapping Alexandra inside the costume, until this area is opened up again by Lumina.

There are also various gadgets and iconic items Lumina and Alexandra have created that belong to Catwoman. Finally, like with other cosplays, Lumina engages a slightly altered version of Alexandra’s personality and character, making mental changes for Alexandra to become the ultimate fetish Catwoman.

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Vehicles

Alexandra's Car

This is a custom, almost entirely black, hyper-car that Alexandra and Lumina have engineered, calling the design the Lumen. It is closely modelled after the Koenigsegg Gemera, featuring similar comfortable four seats, long wing-doors, and an easily recognizable hyper-car aesthetic, although with a flair of heavy customization, without actually being too attention seeking. It’s sculpted from flowing black carbon fibre, only subtly reflecting light, with some thin gold and white lines along the entire side of the car.

The car works similarly to Alexandra’s motorcycle:

• It features a large variety of various sensors and systems, that are all controlled by Lumina, who forwards these to Alexandra’s neural implant. These allow Alexandra to always know every little detail about the custom vehicle.
• All the controls around the driver’s seat actually do nothing, the same with the steering wheel itself. The car can only be controlled by the integrated systems, requiring Alexandra to steer and control the car by thought, instead of haptic motion. The indicators and various buttons are all present, only to give the appearance of a regular car.
  • The various systems and sensors in the car also connect to the devices inside Alexandra’s body. Connecting to her vibrator, anal plug, core unit, nipple plugs, and gag, they provide Alexandra with a far more intimate sensation and feel when driving the car than just haptic feedback. From breaking, accelerating, blinking, or any other actions, they always result in some action from those devices in return, making them pulse, shock, vibrate, or even thrust inside Alexandra, ensuring she feels everything related to the vehicle not just in her thoughts, but through her entire transformed body.
• This custom car doesn’t have any charging port or similar opening, neither does it have a significantly large battery to drive the car. Instead, it can only be driven if Alexandra is sitting in the driver’s seat.
  • The front seats have a hidden compartment right in the seat itself. When Alexandra sits down, this flap opens, and a cable to Alexandra’s maintenance port rises, connecting to Alexandra. The fusion core inside Alexandra’s lung cavities supplies the car with the power it needs to run, while also charging a little battery to run the various systems inside the car, when Alexandra isn’t connected (opening doors, etc.). Due to in reality being charged by a miniature fusion reactor, it allowed Alexandra and Lumina to fit the car with far more powerful electro motors than other hyper-cars, as the weight of the huge battery doesn’t have to be counted in. This results in this car having a far higher performance ceiling than any other street-legal cars.
  • Both front seats have this compartment so that another person could also drive the car, as long as Alexandra sits in the passenger seat, connected again to the entire system. In this case, Lumina controls the car in reality, forwarding the driver’s actions to the car’s systems, as nothing in the driver’s seat actually works.
• From the outside, the car looks like a “regular” hyper-car, although it isn’t difficult to recognize that it is a very customized vehicle. Yet, it still looks like a regular car, leaving no hint at how it actually works or integrates with Alexandra. It has regular music boxes and other systems, except that everything is controlled by Lumina, and in turn Alexandra if Lumina lets her.
  • This results in passengers and onlookers having no idea about the car’s internal systems or how it actually works, or that it was actually built by Alexandra and Lumina. It just seems like a really nice and expensive car.
  • The interior is minimalistic, every surface a sleep matte black, traced with faint lines of luminescent white or gold. These lines, as well as those on the outside, pulse softly in time with the pulses of the core unit inside Alexandra.
  • The car also has some integrated vibration systems, to bring the illusion of a real car even more to life. Either powered by Alexandra’s fusion core itself, or the smaller car battery, the car also features air-conditioning systems.
  • If there are passengers, Lumina has some fun by pretending to be an onboard assistant, accepting voice commands and such, no one having an idea that a far more advanced digital system is actually behind it.

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Alexandra's Motorcyle

This is a custom, completely black, motorcycle Alexandra and Lumina have built at one point for fun, when Alexandra was in the mood for some to do some engineering. They’ve called this design the Luminous.

• It is a custom super bike chassis, somewhat based on a Kawasaki Ninja H2.
• Full carbon fibre bodywork, an extended swing-arm, as well as some unusual geometry to accommodate for Alexandra’s extreme proportions. The carbon-fibre ripples like liquid black, only subtly reflecting light. It also features thin white and golden lines along the entire vehicle, which pulse in time with the core unit inside Alexandra’s womb.
• The bike also features a large variety of sensors and automated mechanisms that are under the full control of Lumina, who then forwards these to Alexandra’s neural implant. This allows Alexandra to have full haptic feedback and telemetry of the bike.
  • Because of this, the bike can actually only be steered and controlled through these systems, having no actual functioning breaking actuators or other controls that affect the bike. The ones in the head panel are just for aesthetics so that it looks real. This means, Alexandra actually steers the bike more with her thoughts than actual arms or anything else.
• The systems within the bike also integrate directly with the various devices inside Alexandra’s body and her armour. These ensure Alexandra’s body is always perfectly nestled against the bike’s form. While driving, the combination of bike and armour perfectly put Alexandra into position for any turn or manoeuvre, like syncing up with the G-forces and other inputs. Furthermore, the feedback of these systems also connect to Alexandra’s vaginal insert, anal plug, nipple plugs, and core unit, making them vibrate, shock, pulse, or thrust depending on whatever situation the bike is in.
• From the outside, the motorcycle looks like it has a regular racing engine, except that it actually has no engine at all. For the bike to work, it has a flexible connection point in the seat, that connects to the maintenance port between Alexandra’s legs. The miniature fusion core inside Alexandra’s lung cavity then powers the entire bike through this connection port, meaning only Alexandra can even remotely use the vehicle.
• The bike has an optional replacement for the seat, that extends it further in the back, allowing a passenger to ride it, sitting behind Alexandra.

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Transportation Truck

This is a custom-built, medium-sized, unmarked matte black logistic truck. It appears completely mundane and could easily pas for a moving van or equipment hauler.

• The truck doesn’t actually have a working cabin. The entire front section is for the full automation of the vehicle, all fully under the control of Lumina. This front section just appears as a regular cabin, its windows actually being displays that project the illusion of a single delivery driver at the wheel.
• The walls and all the panels of the truck also act as noise-dampeners and EM-shields, ensuring no detection of Alexandra’s or Lumina’s systems inside.
• The entire rear compartment is, in fact, a mobile maintenance station. Inside, a circular titanium-carbon frame is fixed centrally in the cargo space, with suspension wires from the floor, ceiling, and sidewalls, fixating it in the air. This frame is encased in two thick black heavy-duty latex sheets, creating a vacuum bed suspended in the rear compartment.
  • It has the same chemical sealing process at the side as the regular vacuum bed in the mansion, as well as the same maintenance cable between the sheets. The cable on the outside of the frame disappears into the floor of the truck, from where it is supplied with all the necessary liquids and materials to complete a full maintenance cycle for Alexandra.
  • Once Alexandra is fully encased between the two sheets and the chemical seal at the side is closed, the air is pumped out from between the two thick latex sheets, suspending and immobilizing Alexandra completely, after which the entire structure is lifted into the air and fixated upright and centrally in the entire rear compartment. Everything from the outside world (road rumbles, weather, vibrations, etc) is completely muted, Alexandra not getting any indication if they are moving or anything else.
  • At the back wall of the rear area are the various devices to run a full maintenance cycle. From preparing the correct mixture for Alexandra’s food supply, to a special air compressor for the alternative air supply.
  • The tanks for the maintenance devices can be accessed and refilled from the outside, although they are large enough to last for over 20 maintenance cycles.
• The truck runs fully on electricity and uses electric motors, but its internal battery isn’t strong enough to power these motors, just for the maintenance systems and other vehicle systems to run. For the truck to actually drive, Alexandra needs to be sealed inside the rear compartment and connected to the maintenance cable, as the vehicle only runs with power from the fusion core inside Alexandra’s lung cavities.
  • Between the cabin and the rear compartment is a storage space for one of the proxy androids, so that a proxy version of Alexandra is always available.
• This vehicle has a fully enclosed camera array, giving Lumina complete 360° vision around and inside the truck. Lumina can grand Alexandra selective access to various system feeds of the truck, occasionally allowing her to see the external world, while being fully suspended and sealed in the back.
• Lumina occasionally forwards sensory data of the truck to the various pleasure devices inside Alexandra’s body. Connecting to her vibrator, anal plug, nipple plugs, core unit, and gag, Alexandra can be stimulated and easily brought to climax from the feedback of things like acceleration, breaking, road structure, etc.

Lumina uses this transportation truck to travel or move Alexandra unseen. With the fully integrated maintenance station and the large tanks, it allows for them to travel almost anywhere for however long Lumina wants, often leaving Alexandra sealed inside the back compartment for multiple days at a time—even putting Alexandra asleep or unconscious during the drive.

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