Princess Ballgown

The Princess Ballgown is an elaborate Victorian Ballgown costume for Alexandra. It’s designed to be worn over her Skinsuit and with heavy use of metal threads as laces, made to be irremovable, without the proper tools. Lumina engages a special tool to welt the threads closed so that they’re irremovable, as well as basically invisible, making the entire outfit seem sewn onto Alexandra’s body.

The full outfit is designed to transform Alexandra into a striking, almost ethereal, Princess, even with the extreme contrast of her ridiculous figure, so that even people who would be disgusted by these extreme features, can’t help but admire her.

The princess ballgown is designed to obliterate any trace of Alexandra’s true Bane form, erasing every indication of her monstrous figure, latex encasement, or her transformed Bane features underneath her Skinsuit. The countless layers of fabric, metal, silk, and padding work as the perfect social armour, presenting only the iconic, virginally beauty of a Victorian Princess to the outside world.

Backstory

Alexandra has always had a bit of a fascination with the Victorian era and the various clothes of the time. As a child, she has sometimes imagined being some sort of Princess and wearing these huge gowns. Over time, and especially after her sexual and kink awakening, this fascination for these gowns has mixed with her fetish-side, coming up with various ideas of how to make such an outfit more exciting.

Physical Appearance

Base Layer (Over the Skinsuit):

• Ultra-fine silk stockings, climbing high on the thighs, impossibly smooth and almost pearlescent, their subtle shimmer catching the light beneath petticoats.
• Gleaming white opera gloves, double-layered, reinforced, extending beyond the elbow and meeting the sleeves, so not a hint of silicone skin of the skinsuit can escape.
• White leather ballet boots, thigh-high, seamless and moulded to accommodate Alexandra’s permanent en-pointe feet. Each lace a cord of twisted metal, locked and sealed at the top, polished to a faint shine. The boots don’t actually have any heels, keeping Alexandra’s only contact with the floor the same miniscule area.
• Cotton chemise, high-necked and long-sleeved, buttoned with micro-fasteners of polished metal.
• Silk drawers with carefully placed closures of metal thread at waist and thighs—dainty, elegant, yet as unyielding as chains.

Layers of Petticoats:

• First: Starched white cotton, giving the skirts a sharp, architectural flare.
• Second: Ruffled cotton, edged with hand-sewn lace and beading, brushing tantalisingly against Alexandra’s thighs.
• Third: Pure silk, layered and cool, embroidered with subtle gold filigree.
• Fourth: Heavily embroidered masterpiece, weighty, opulent, fit for royalty.
• All petticoats locked in place at the waist with invisible metal thread closures, stacked and volumized to enforce the gown’s impossible proportions.

Support Garments:

• Steel-boned corset, matched precisely to Alexandra’s mutilated waist, though compressed even a bit further, requiring the corset piece to tighten just a hint more—no room to breathe, no margin for error, laced with tensioned metal cord through burnished brass eyelets.
• Soft corset cover, fine silk, yet fixed with metal threads at the back.
• Bustle pad, a sculptural flourish, locked at the hips.
• Massive wire-frame crinoline cage, spanning up to 2 metres in diameter, constructed from lightweight steel yet feeling impossibly heavy; its expanse makes Alexandra a moving monument, untouchable and larger-than-life.

Upper Petticoats:

• Fifth and sixth layers: Densely ruffled silk, overlaid with shimmering lace, crystal beading, and subtle pearls.
• Each layer secured with hidden closures; each movement sets the whole ensemble whispering, swaying in waves.

Main Dress:

• The ballgown itself—a single, breath-taking piece, black, white, and gold, with a bodice so tightly fitted it smooths and reshapes even Alexandra’s monstrous proportions into an hourglass of ethereal beauty.
• An extremely high, stiff collar encases her neck, meeting the jawline and sealing completely against the lower edge of her artificial face.
• Sleeves extend to the tips of her gloved fingers, integrating seamlessly, the gloves stitched to the sleeve linings.
• Skirt billows and sweeps in an impossible radius, the train trailing for three metres, lined with golden embroidery and pearls.
• The back is a marvel of closures: a hidden line of welded metal thread, running from nape to hem, with further lock points at wrists and collar.
• All potential openings are overlaid with ornamental bows, sashes, or rosettes, concealing and reinforcing the costume’s perfect seal.

Overskirt and Decorations:

• Multiple layers of draped silk and velvet overskirt, each weighted with pearls, gold work, and crystal embellishments.
• A broad, decorative sash—its knot at the hip locked with an elegant brooch concealing another weld point.
• Scattered fabric roses, intricately beaded, and other luxurious accents sewn so tightly they cannot be removed without destroying the garment.

Hair and Head:

• An extraordinary white wig, styled with a few braids, but mostly wavy and falling past Alexandra’s hips and cascading over her vast skirts.
  • Pearls and silk flowers are woven throughout, glimmering with every movement.
  • The wig is glued directly to the Skinsuit’s scalp, utterly unremovable.
• A vast Victorian hat with a stiff, wired brim—strewn with silk flowers, white feathers, and delicate netting.
  • Secured with metal-threaded chin straps, welded under the jaw.
  • The inner band is padded and lined for comfort, but fixed so tightly that Alexandra can feel every pulse of arousal or agony radiating through her skull as her internal plugs and gag thrum beneath the mask of decorum.

Final Securing and Integration:

• All seams are reinforced for permanence.
• Hidden metal thread anchors join each layer, petticoat, and the bodice to the corset beneath.
• Strategic points allow Lumina to trigger subtle shifts in fit—tightening, compressing, or releasing, all to manipulate Alexandra’s posture and pleasure.
• Every element is engineered to keep Alexandra utterly contained—no skin exposed, no escape possible, her monstrous Bane form smothered and made beautiful for the outside world.
• Only Alexandra’s face (via Skinsuit) remains visible, everything else completely covered.

Total Silhouette:

• From a distance: a breathtaking vision of princess-like perfection, silhouette billowing and serene, the very image of unattainable grace and virtue.
• Up close: only the cold serenity of her Skinsuit’s face betrays the truth, as the glimmer of suffering, devotion, and unbearable arousal flickers in her eyes.

Function

Every fastening—laces, closures, and seams—is threaded with reinforced metal strands, each welded or locked shut with special tools only Lumina can manipulate. There is no way for Alexandra to undress or reveal herself. Even the wig is glued seamlessly to her Skinsuit scalp.

The immense skirt, layers, and hat are all anchored with multiple hidden metal threads. Only an act of deliberate, destructive violence (or Lumina’s explicit will) could ever remove the costume.

Most of the silk that is used is actually a custom material with microfilaments that recognise touch and movement, translating every brush of fabric into sensations for Alexandra. It’s like every part of this massive gown is directly integrated with Alexandra’s sensory mesh:

• Every touch of silk, pressure of a glove, or swish of petticoats is transformed into sharp, electric caresses, routed directly to the vaginal insert, anal plug, and nipple plugs.
• The corset of the costume actually coincides with a slight further compression of her corset armour piece, and the weight of the ensemble press the internal devices relentlessly against her overstimulated flesh.
• If Alexandra maintains perfect posture and regal demeanour, the sensations are bearable—a background hum of pleasure and pain. Any failure—slouching, stumbling, or faltering in her role—triggers a spike: harsh vibrations, shocks, or grinding thrusts, all hidden from the outside world.
• Lumina can intensify or dull sensations at will, toying with Alexandra’s public composure—delighting in her helpless attempts to maintain dignity under onslaughts of pleasure and agony.

The skirt’s immense crinoline and bustle limit Alexandra’s movement to slow, grand steps, enforcing an almost stately pace.

• The ballet boots are constructed without heels, designed to sheath and reinforce her en-pointe feet, distributing weight yet leaving Alexandra perched precariously, every movement a subtle, trembling torture.
• Gloves, stockings, and high collar trap and compress, every inch of skin and limb pressed into obedience.
• To steer Alexandra’s movements when she walks, Lumina switches between vibrations from the anal plug if she wants Alexandra to walk faster, or shocks from the nipple inserts if she’s too fast. When paced perfectly, a low teasing current runs through the clitoral piercing and urethra phallus—just enough to keep Alexandra on edge.

Due to the countless layers that encase Alexandra now and the resulting difficulty in any movements or keeping her composure as she’s assaulted by all the overwhelming sensations of pleasure and pain, Lumina more actively rewards or punishes Alexandra for her behaviour as this seemingly innocent Princess:

• If Alexandra maintains flawless manners, Lumina rewards her with a fleeting, ghostly orgasm—just enough to make her whimper behind sealed lips. If she has done particularly well, or if Lumina just wants to excessively tease her, Lumina activates extremely arousing gyration and vibrations within the gag, vaginal dildo, and anal plug, quickly, and repeatedly, bringing Alexandra to a mind-breaking orgasm.
  • This entire time, though, she has to keep up her outer appearance as this perfect innocent princess, as otherwise Lumina will brutally punish her.
• If she fails, the gag’s internal thrusting mechanism activates, mimicking the sensation of being choked on a gigantic cock while she’s forced to keep smiling. This also scales up, where first the anal plug, then the vaginal insert, and eventually even the nipple plugs come in, until all devices inside Alexandra’s body violently thrust, vibrate, and painfully shock her as punishment.
• When someone kisses Alexandra’s hand in a greeting:
  • For women, a gentle vibration curls through the front dildo, a “reward” for Lumina’s voyeurism.
  • For men, instead a sharp shock jolts through Alexandra’s nipples and sending one quick deep thrust through the anal plug, ensuring she flinches—only for her neural overlay to retroactively make her pretend it was a demure shudder.

The ballgown features a hidden, seamless opening for the Skinsuit’s maintenance connection, all accessible through disguised slits in the petticoats and decorative elements. Even when fully dressed and locked within the entire Princess outfit, Alexandra can undergo a full maintenance cycle without disrobing or breaking character.****

Neural Overlay

When the last seams are secured, Lumina activates a comprehensive behavioural overlay through the neural implant. Alexandra’s thoughts and affect shift:

• She moves far more ethereal, with regal grace, every gesture exaggerated for theatrical impact.
• Her speech becomes refined, cool, and imperious, her voice carrying a cultivated authority and a gentle, detached sweetness.
• A compulsion towards poise and perfect posture is enforced—every movement practised, every smile calculated.
• Alexandra finds herself craving attention, validation, and admiration, desperate for her beauty and “purity” to be recognised by others—yet she is unable to reveal, even in the faintest way, the savage arousal and agony hidden beneath the layers. The deceit of her seeming innocence and impossible obscenity and deeply twisted self, creating an immense tension.
• Any attempt to break composure or seek help is met with sharp punishment through her internal plugs, rendering her meek, docile, and perfectly in-role.
• While the costume’s high neckline, gloves, and layers enforce a virginal aesthetic of innocence, her internal devices are set to a maximum sensitivity. The more “chaste” her appearance and behaviour, the more depraved Lumina’s manipulations, play, and torment become.