To finish Alexandra’s transformation into a perfect Bane, everything is finally encased in an ultra-shiny black latex solution.
Finally, after the layer has been applied, a heat treatment is given to all layers, ensuring they’re perfectly merged into one and bound to Alexandra’s skin, becoming completely impossible to remove.
Function
This final layer allows for the sensory layer beneath it to easily pass through any sensations, ensuring the artificial sense of touch isn’t hindered in any way. Furthermore, this outer material retains a permanent smell of clinical and oiled-up rubber, the scent having replaced Alexandra’s original human odour.
This layer is so extremely smooth and textureless, so utterly without grain, seam, pore, or flaw, that even water—or any other liquid for that matter—cannot adhere to it. The instant a droplet touches her, it recoils and slips away, racing down the glossy curves of her body or simply falling away, as the surface refuses any contamination on principle. Nothing clings. Not moisture, not condensation, not the thinnest film of liquid—every trace immediately beads and runs off. It is physically impossible to contaminate Alexandra’s latex skin, not even dust particles adhering to her, leaving her latex skin in the same immaculate, mirror-dark state, untouched and perfect.
Though usually impossibly slick like freshly lubed up latex, the outer layer can selectively alter its surface friction in precise localised regions, allowing Lumina to create grip exactly where needed while leaving the rest of Alexandra’s body polished, slippery, and difficult to hold. This is works to an extreme degree, where just two fingertips can stick to the smoothest surfaces like a gecko and carry Alexandra’s entire weight. So Alexandra can simultaneously have the most perfect, smooth, slick, shiny black latex skin, she can also hang upside down on a mirrors surface with just two fingertips making contact. This applies to any area of her skin, theoretically even inside her new latex genitals.
It also acts as a metamaterial with a negative density differential, resulting in it being unable to create any sounds even when hit against itself — meaning even if Alexandra were to clap her hands as powerful as possible, no sound can be produced.
This final layer also mutes any sound coming from the systems within Alexandra. With her having no heartbeat any more, no longer breathing with her lungs removed, and her Bane encasement, Alexandra becomes a completely silent lifeform. Not one of her movements causes any sound, and without her vocal cords or air to breathe, she’s unable to produce any sound of her own. Lumina has made absolutely certain that Alexandra’s body is incapable of producing even the tiniest sound ever again.
If the armour-sections over Alexandra’s nipples or over the Pelvis Shell are set to their compressed mode, these body parts show through, as if they were just coated with the black latex solution. Alexandra’s pierced nipples and the fake genitals of the Pelvis Shell are then clearly visible and very detailed, while still being made out of the completely black shiny latex, as the rest of her outer skin. Furthermore, if the armour and vaginal insert are fully opened up, the outer skin continues inside the fake vaginal cavity of the front dildo, giving Alexandra an extremely sensitive, but entirely shiny black, latex vagina that can even be penetrated.
Physical Appearance
This outer latex layer ensures that Alexandra’s new, permanent Bane-skin never has any blemishes or even slightly damaged sections and keeps on being a completely black, shiny latex creature. The final layer is of such a deep black, deeper than any black Alexandra had ever seen before, and so shiny it seems alive, flowing like liquid around Alexandra’s latex encased body. Each movement creates new patters of reflection and absorption. The only disruption in the smooth, shiny, black latex skin, is the barely discernible single maintenance port between her legs to allow for the air supply, nutritional supply, and hygiene functions.