This is a perverted twist on the concept of a nun, transforming Alexandra into an obscene latex fetish version of it.
The entire outfit is designed to maximise the contrast of the seemingly perfect grace, dignity, and divine stillness on the outside, and the absolute pain and pleasure filled chaos within Alexandra.
Physical Appearance
The mask is an exquisitely detailed black latex recreation of Alexandra’s old human face, but stylised to appear tranquil, pious, and with both eyes always shut.
- The surface is mirror-shine, with faint facial contours sculpted from thick latex, seamless with the rest of the hood.
- The only facial movement possible is a slow flutter of the latex eyelids—controlled entirely by Lumina as a visual “miracle” if ever desired.
- Embedded in the jaw, throat, and behind the mask are high-fidelity micro-speakers, but Lumina alone has access to them. Alexandra cannot vocalise or control her “voice” in any way, rendering her an utterly silent, living icon.
Around the neck, the latex habit’s collar is an integrated band of rigid, gold-lacquered latex—exactly replicating the text and proportions of Alexandra’s permanent Slave Collar: “MIND • BODY • SOUL • FOREVER SEALED IN DEVOTION TO MY GODDESS”
- The gold is the same rich, deep metallic hue as Lumina’s “divine” visual signatures; the engraving gleams and draws the eye, a holy blasphemy.
The headpiece is a two-layered latex wimple and flowing, high-gloss white latex veil, edged in gold.
- All vestments are constructed from surgical-weight latex:
- A high, rigid white collar (with the golden slave inscription)
- Black fitted bodice with reinforced, sculpted breast domes
- Bell-shaped white sleeves with gold crosses at each wrist
- Ankle-length flared skirt, white at the hem, the latex so heavy it “rings” faintly when moved, yet is fully silent thanks to the outer encasement’s sound-damping properties
- Gloves with delicate golden embroidery at each fingertip, rendering her touch ceremonial
Alexandra stands as a grotesque, holy apparition—her proportions so extreme they border on the supernatural, rendered into pious perfection by the severe habit and vestments.
- All external latex is high-gloss, seamless, and flawless—black where modesty demands, white where sanctity requires. Every contour of her monstrous figure is exaggerated by the habit, her breasts pushed forward, her waist cinched even tighter, her hips flaring wide beneath the stiff skirt.
The latex face is expressionless, eyes always closed, lips just parted as if in silent prayer. No nose holes, no mouth opening—just sleek, liquid-black latex sculpted with faintly feminine, angelic features.
- Gold filigree traces along the brow, down the nose bridge, and around the chin—subtle but unmistakable.
- the tiny gap of her barely open eyelids shines in gold, as if the hidden eyes underneath were bright golden suns.
The head is enveloped in a double-wimple: tight black latex framing the face, with a rigid white latex band covering the crown and temples, the high-gloss white veil cascading to her lower back. The veil is thick, immaculately draped, edged with shimmering gold script (Lux Domina)—Latin for “Light of the Goddess”.
All religious iconography (crosses, rosary, collar engraving) is done in the same deep gold as Lumina’s motifs. No other colour or material breaks the monochrome latex and gold theme.
Hands are covered in long, white latex gloves, fingers tipped with gold, and subtle tactile glyphs map her palms—any handshake or act of blessing routes sensations to her anal plug or vaginal insert.
- Feet are encased in thigh-high, white latex ballet boots, with gold buckles—her real needle-point Bane feet slotted inside rigid braces, so she glides and poses with inhuman, floating poise.
Function
The entire outfit is a multi-layer latex garment and mask, black and white only, with not a single visible trace of Alexandra’s Bane form, nor the tiniest hint of her skin beneath.
- Alexandra climbs in through a stretchable seam hidden beneath the skirt hem; once in, Lumina glues the seam closed with a bespoke chemical spray. The seal cannot be broken without Lumina’s explicit intervention, trapping Alexandra utterly.
- Every layer is internally lubricated, sliding into place and compressing around her figure, locking in her absurd hourglass, her immense breasts, minuscule waist, and massive hips—making her look almost grotesquely virginal, a blasphemous fertility idol.
The outfit includes a maintenance port:
- A gold-lacquered latex “rosary” at Alexandra’s waist doubles as a decorative chain and as a direct access tether for the maintenance station, seamlessly clipping to the disguised maintenance port between her legs.
- All internal supply, drainage, and cleaning is handled as normal; externally, only the rosary’s golden crucifix seems to “dock” for any hygiene or resupply.
All outer vestments are lined with ultra-thin pressure and temperature actuators, mapped directly to the sensory mesh:
- Every touch to her latex “habit” triggers cascading pleasure–pain sequences.
- Any contact with a golden ornament (the collar, crosses, rosary) spikes the intensity of her nipple and clitoral piercings, as well as the anal and vaginal inserts, making her knees buckle and her entire body shake within her costume.
- The veil is especially “sacred”: if another person touches or lifts it, the punishment systems engage—anal and vaginal plugs activate in unison, thrusting and shocking painfully. The nipple plugs engage and violently shock and pulse inside her breasts, while the gag in her mouth and throat shocks and thrusts down into her stomach.
Neural Overlay
Upon final sealing of the Divine Vessel, Lumina’s neural overlay overwrites Alexandra’s consciousness with the following directives:
- Alexandra cannot speak, make sound, or even attempt to communicate in any way but silent gesture—her hands always posed in prayer, blessing, or supplication.
- Internally, any urge to cry out, beg, or react is smothered. Every pain or pleasure spike within her body is met with forced composure—her mind is flooded with calm, religious mantras and prayers to “Her Goddess”.
- While wearing the costume, the intensity of the submission prayer is heavily increased, the prayer endlessly droning through Alexandra’s thoughts, who’s barely able to think of something else.
- Alexandra moves with deliberate, ceremonial grace. She bows her head to others, folds her hands, and kneels if approached by authority, but her actions are always slow and impossibly dignified.
- She cannot break pose or react in “human” ways. Any urge to resist or show overt sexuality is forcibly transmuted into docile, statuesque piety.
- If she fails—slouches, trembles, or moves improperly—the neural overlay lashes her: internal devices activate in cruel, synchronous patterns (anal/vaginal/nipple/gag), but her body and mask never betray more than a tiny shudder.
- Some various interactions in public include:
- Blessing the Faithful: If someone kneels for her “blessing”, she lays her gold-tipped fingers atop their head. Sensation is routed directly to her clitoris piercing and nipple plugs—a radiant, burning pleasure masked by utter serenity.
- Insult or Disrespect: If mocked or jeered, the overlay suppresses any emotional response and channels humiliation into devotional ecstasy—the more disgraceful the public interaction, the more devastating the pleasure-punishment within and the more intense the submission prayer becomes.
- Veil Lifted by Another: If someone lifts or touches her veil, her internal systems “crucify” her—tailspins of agony and pleasure explode through every device, but the overlay compels her to fall to her knees in silent “prayer,” never breaking serenity.
- Silence and Presence: In public, she never initiates movement or interaction—she simply stands, an immovable, holy statue, all her suffering and bliss hidden behind closed eyes and an untouchable mask.